Before the superhero action kicked off in a screening for The Incredibles 2, there was a very
unassuming, odd short film to precede it and it would be not only truly a
heartfelt tale of motherhood/family but might just be the most accurate, spot
on representation of mothers and sons in Asian American culture. This film is called Bao, a Chinese dish that is essentially a steamed bread roll made
with meat and vegetables wrapped into one.
It is both strangely cute yet an absolute joy to watch as it relies on
many inspirations of Japanese Anime mixed with the traditional look of Disney
animated films. What makes this film so
surprising and most importantly, a much-needed story to be told especially for
Asian creatives out there? Let’s cook up this dish and look at it, starting
with the story.
It is a story told through visuals and no dialogue, as we
follow an Asian Couple in San Francisco living their lives together until a
small little bread roll of Bao comes to life, like a new born baby into their
world. She ends up taking care of Bao
and treating the bread roll like her own son as she mothers it and gives it all
of her love. However, as the years go
by, the little Bao wants to see the world, connect with others, and grow up but
ironically enough, she holds him back out of fear of losing him completely. Bao eventually comes to head with his mother
as they deal with the realities of growing up and motherhood, as it becomes the
very thing that separates and brings them together.
When you see and understand what the tale has to say about
these themes and the resolution of it, it is nothing but truthful, brutally
real, and yet endearingly heartfelt in its intention of the story. This is what makes it so unique from the
traditional coming of age, family drama as it is truly stemmed right into Asian
American culture especially with the writer/director Domee Shi helming this
project as a storyteller that truly created this cute film out of her personal
experiences and life story that many Asians can relate to, in some degree. It is also got a bit of that Mizaki style to
the writing and storytelling of the film as it evokes inspirations like Ponyo as a clear-cut example of what the
filmmaker possibly drew on with this film along with the numerous
animators/computer engineers to craft this short.
On the technical side, it has a very distinctive art
direction to the world and the CGI/character designs as well as the use of
Asian instrumentals for the score. There
is a great use of the real world and the settings that are part of this culture,
from the look of Chinatown in San Francisco to the bakery filled Chinese dishes
of a family owned shop. It truly feels
and looks like a believable world as well as capturing mature Asian women gracefully
in animated form. As for the design of
Bao, absolutely strange, weird, and ends up being adorable as well as truly
relatable when you see how it relates to a certain character arc. Everything about its art direction is truly nothing
short of phenomenal in how it captures Asian American culture and motherhood so
passionately and truthfully, which gives it an edge over most animated shorts
and your traditional coming of age story.
As for the score itself, it relies on a combination of
traditional low-key orchestra with traditional string instruments related to
the style of Asian Orchestra and it’s a perfect combination to represent the
cultural clash of this little Bread Roll growing up as the music becomes in
tune with Bao’s development. It’s very
effective and used to great effect along with the reliance on sound effects and
music to tell this story. This is yet
another animated short film from Pixar/Disney to rely on visuals and sound
design of the world/music to tell its story and it makes one appreciate how a
shot can tell a clear, concise story more so than a dialogue exchange to express
that point. The sound design is on
point here along with a wonderful Asian styled orchestra score to really
encapsulate the story and setting through sound.
With the rising popularity of stories being told from everywhere
from within different cultures and people instead of just a conceived perspective
or notion from outsiders of them, Bao represents another important and
heartfelt step for Asian Americans and the creative community within. This is truly a very passionate and personal
tale of motherhood and growing up that comes through in the sharp, concise
writing and direction of the story as well as drawing from real life
experiences that even this writer can attest to, despite being a mixed
Asian. The artistic look and soundscape
is exceptionally crafted to really enhance and make this world believable for
the short time we spend in this world.
This is one animated film that will be remembered for how it truly
brings a unique human story that everyone can relate to, especially in its
themes and characters.
Score ***** out of *****
Bao is a special,
heartfelt animated short film that truly crafts this traditional tale of
motherhood and growing up into something truly unique and showcases Asian
culture in America in a way that is both endearing and truthful. Domee Shi wrote one of the most concise and
layered scripts that has been done on film as well as the truly steady and passionate
direction to make it accurate and capture the slice of life for Asian Americans
growing up as well as the elderly community’s lives as well. The sound design is truly representative of
the story in its use of music and sound effects to push the story forward
meaningfully. This is a short film that
truly pulls the heart and makes us reflect on our families and growing up in a
truly honest and heartwarming way that makes for a remarkable opening film for
the latest Pixar film. This is truly a
great step forward in representing Asian Americans meaningfully as storytellers
and filmmakers as well as the truly diverse crew behind the scenes to make this
masterful short film.
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